The top posts on social media from your favourite Bollywood celebrities.
Ranbir's daku aspirations, Alia's magical transformation, Aishwarya's mommy love and more in Sukanya Verma's Super Filmi Week.
Making her film debut with The Householder, Ruth Prawer Jhabvala wrote more screenplays than novels, winning two Oscars -- for A Room with a View and Howards End. She kept her distance from the film crowd, seeking refuge in the 'protective' company of her two life-long collaborators, Director James Ivory and Producer Ismail Merchant.
A look at the top tweet top tweets from your favourite Bollywood celebrities.
The vote was tied 7-7 until... Aseem Chhabra/Rediff.com reveals how Court was chosen as India's nominee for the Academy Awards.
Aseem Chhabra lists the top 10 films at the recent Toronto International Film Festival.
'At the end of the day, stars are actors.' 'They love performing. And the more challenges I feel that you end up giving stars on the sets, the happier they are.'
India scored at the recently-concluded Telluride Film Festival, reports Aseem Chhabra.
Ashwiny Iyer Tiwari's Bareilly Ki Barfi had the critics reaching for the stars. But that is just the tip of the iceberg discovers Rediff.com's Savera R Someshwar.
Aseem Chhabra gives us the top films that enriched his year.
'She isn't the same Aishwarya, who walks the red carpet at Cannes. She doesn't look like that at all in the film. That is half the battle won from my side.' Sarbjit director Omung Kumar tells us why he likes transforming his actors.
'In Carol, Cate Blanchett reminds us what a real movie star is and why we are enamored by her acting and looks.'
'I don't care about how people are used to seeing me -- that is their problem. They make little compartments in their heads and they want to fit everybody into that, but I don't really abide by it.' Richa Chadha, in a candid chat.
'In my personal life, I honestly find it very difficult to express my anger.' 'And then, when you are a public figure, you feel watched that much more and then you are all the more careful.' 'Begum Jaan, therefore, was the answer to my angst.'
'We asked Shashank Arora to go at nine in the morning and shit on the beach. We wanted him to sense what it feels like to have no personal space.' 'We wanted my father not knowing what he was doing, because it reflects on the kind of character he is in the film. Not giving him the script added to the situation the actor is in.' 'We would not say good or anything encouraging to Ranvir Shorey after each shot. We would not even talk to him.' 'We were always trying to get people out of their comfort zone. I think that's when the acting stops and something organic starts to come out.' Kanu Behl -- who has directed one of the most awaited films of the year, the most unusual movie Yash Raj Films has ever produced -- discusses Titli with Aseem Chhabra/Rediff.com
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
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